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Monthly Archives: November 2019

24 Nov 2019

Review: Pholsy remote control and timer

There are times when you want to trip the shutter of your camera with as little trauma as possible. When using long exposure times, long lenses or shooting close-ups with macro lenses, for example, pressing the shutter button can introduce vibration that might degrade the image quality, or even ruin it altogether. The easiest way of avoiding this issue is with the humble cable release. This screws into a threaded hole in the shutter button and provides a plunger you […]

23 Nov 2019

Capturing the mood

This island is a strange place. It hugs the base of cliffs on the Crozon peninsula in Finistère, Brittany. This particular part of the Crozon is a narrow finger of land pointing to nearby Brest. And the proximity of that port town is significant. Brest has been strategically important to France for centuries. And this explains why the Crozon peninsula, which overlooks the approaches to the port, is heavily militarised. It is littered with fortifications, most dating from the 19th […]

22 Nov 2019

Technique: Using the Lee Little Stopper and Big Stopper ND filters to create blur

On occasion, a camera captures a little too much. Its ability to freeze time creates detail of a somewhat arbitrary nature – waves stilled at the moment of breaking, for example, or the leaves of trees being blown by the wind rendered with exquisite precision that doesn’t necessarily match the mood of the scene or the emotion you’re trying to convey. The technique of using long exposure times to allow moving subjects to blur has a long pedigree in the […]

21 Nov 2019

Nine years after

This is a shot taken on a recent trip to Brittany. I’m pleased with it – which is just as well because it took me nine years to get it. These are the remains of a pier or jetty sticking out into the Rade de Brest – the confluence of several rivers where they meet the Atlantic. It’s shot from the shore of the Crozon peninsula, a beautifully rugged part of Finistère. I was attracted to these pillars because of […]

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